Interview with Liyana Mansor, the VFX Editor
Liyana Mansor: A Rising Star in the Visual Effects Industry
Liyana Mansor, a UK-based visual effects (VFX) editor, has made a significant impact in the world of film and television. With over a decade of experience in the industry, she has honed her skills as a freelance editor and VFX editor based in London [1].
Mansor's career began humbly as a runner at a large post-production house in London in 2012 [1]. Since then, she has worked with major companies such as Disney/Lucasfilm and collaborated with Netflix and TEMPO on initiatives like developing VFX Editing workshops for Assistant Editors across Europe [1].
Her portfolio includes high-profile projects such as the Star Wars TV series Andor, The Alienist, Alien: Covenant, Black Mirror, and Mission: Impossible - Dead Reckoning Part One [1][3][5]. Her work on these critically acclaimed and visually complex productions, particularly Andor, has earned her recognition and a first-time Emmy nomination as Lead VFX Editor [5].
Mansor's expertise lies in her ability to create invisible VFX and extend environments, as demonstrated in her work on The Alienist [1]. She collects VFX elements for temp comp processes, particularly for action scenes involving muzzle flashes, fire, smoke, and weather elements [1].
To enhance her editing and temp compositing efficiency, Mansor uses tools like the Wacom Intuos Pro and Avid Media Composer [1]. This allows her to quickly mock up VFX shots with precision and fluidity. She also employs custom macros on her Razor mouse to cycle through multiple repeated actions [1].
When it comes to workflow, Mansor is always looking for ways to improve streamlining. She often considers adjusting and adapting her workflow and database on new projects [1].
Mansor's inspiration comes from films from her childhood. Among her long-standing favorites is Gwoemul (The Host) by Bong Joon-ho [1]. If given the chance, she would love to collaborate with artists such as Bong Joon-ho, Yang Jinmo, and Rian Johnson due to their unique and impressive work [1].
When faced with creative burnout, Mansor suggests working on something else and returning to the project later or the next day [1]. Her career and life advice to her younger self is to never hesitate or count herself out of an opportunity just because she doesn't "feel ready."
Mansor was born in Brunei and moved to the north of England before her teens [1]. She graduated from Leeds College of Art and Design [1]. During her epic sessions, she enjoys snacks like Cinnamon Social slices, Candy Kittens, and Portuguese Natas [1].
Currently, Mansor is preparing for her work on Andor (Disney+) [1]. Despite her success, she remains humble and dedicated to her craft, continually striving for excellence in the VFX industry.
References:
[1] Liyana Mansor, LinkedIn profile, https://www.linkedin.com/in/liyanamansor/
[3] Liyana Mansor, IMDb profile, https://www.imdb.com/name/nm10767806/
[5] Andor (Disney+), Emmy nomination, https://www.emmys.com/awards/nominations/outstanding-special-visual-effects-series
Liyanas career evolution, spanning from a runner to a Lead VFX Editor, has been marked by her involvement in various fields such as technology, entertainment, and lifestyle.
With aspirations to collaborate with artists like Bong Joon-ho and Rian Johnson, Liyana Mansor aims to bring innovative approaches to visual effects, blending technology with entertainment and enhancing the overall lifestyle experience of viewers.
